Suvinil: Rio’s Carnaval

Suvinil: Rio’s Carnaval

Feb 19

Suvinil's Carnaval

“The Rio’s Carnaval Official Colors.”

Advertising Agency: No Bullshit, São Paulo, Brazil
Creative Directors: André Lima, Pedro Feyer
Art Director: Giuliano Cesar
Copywriter: Cassio Faraco
Illustrator: Big Studios
Photographer: Bruce Talbot
Published: March 2011

Mr Button

Mr Button

Feb 15

Mr Button

Mr Button by John Caswell Design – adds a little character and fun to an object that often goes unnoticed.

Roy Lichtenstein Costume

Roy Lichtenstein Costume

Feb 10

Carnival is coming, here is a great idea for a costume!

Roy Lichtenstein Costume

Roy Lichtenstein costume by Sarah Hoke.

You can also have a look at another post with another incredible costume!

Creative Wedding Invitation

Creative Wedding Invitation

Feb 09

Creative Wedding Invitation

Save the date cards and invites by Natalia Grosner.
Copywriter Andrew Chisholm
Printers: Flora & Pauna Press

Creative Wedding Invitation

Creative Wedding Invitation

Mugtail

Mugtail

Feb 02

Mugtail

Mugtail Animal Mug.

Fluid Type

Fluid Type

Jan 31

Fluid Type
Fluid type typeface by Skyrill.

Nestea Straws

Nestea Straws

Jan 30

Nestea adv by Publicis Venezuela.

Nestea Straws

Nestle in Venezuela presents this face of drinking straws to communicate the saying, “Eres lo que tomas”, translated from Spanish to English as “You are what you drink”, or literally, “You are what you take”.

3D² Basketballfeld

3D² Basketballfeld

Jan 13

3D² Basketballfeld

3D² – Basketballfeld in Munich, Germany by Inges Idee. Photos: Markus Buck.

John Powers: God’s Comic

John Powers: God’s Comic

Jan 11

John Powers: God’s Comic, 2010

5 x 3 x 5 meters, Sculpture constructed from polystyrene blocks (site-specific unique installation).

John Powers: God's Comic

The impenetrable geometries of John Powers’ abstract sculptures call to mind a wide range of influences, borrowing equally from art movements like postminimalism and pop culture icons like Star Wars. Meticulously constructed by hand, Power’s forms are constructed out of a limited formal vocabulary: Polystyrene blocks cut to a selection of preset sizes, attached to each other at 90 degree angles. The resulting structure gives the appearance of being a computer-aided design but is in reality the outcome of a human-executed algorithm, dictated by the artist’s intuition expressed through the repetitive action of connecting blocks.

This text is taken from the NODE10 catalogue, written by Eno Henze and Marius Watz and edited by Valérie-Françoise Vogt. Please read the introductory curator text for an overview of the exhibition topic.